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How Many Awards Did X Men Animated Series Win

How Many Awards Did X Men Animated Series Win

This article is nigh the 1990s animated serial. For other uses, see X-Men (disambiguation).

X-Men
X-men-animated-series-intro.jpg
Genre Superhero
Action
Adventure
Based on
Developed past
  • Eric Lewald
  • Sidney Iwanter
  • Mark Edens
Voices of
Theme music composer Ron Wasserman
Composers
Country of origin
  • Canada [a]
  • United states
Original language English
No. of seasons 5
No. of episodes 76 (list of episodes)
Production
Executive producers
Producers Volition Meugniot [3]
Larry F. Houston
Running time 22 minutes
Production companies
Benefactor 20th Television
Saban International
Release
Original network Pull a fast one on Kids Network
Original release Oct 31, 1992 (1992-10-31) –
September twenty, 1997 (1997-09-20)

X-Men (besides known as X-Men: The Blithe Serial ) is an animated superhero television serial which debuted on October 31, 1992, in the United States on the Fox Kids Network. [5] 10-Men was Marvel Comics' second attempt at an animated X-Men Tv set series after the pilot, Ten-Men: Pryde of the 10-Men , was non picked up. [half dozen]

The X-Men animated series is currently bachelor on the Disney+ streaming service, which launched on November 12, 2022. [7] [8] A revival of the series, entitled X-Men '97 , is prepare to exist released on the service in 2023.

Production [ edit ]

In 1991, Margaret Loesch became head of Fox Children's Network. [9] Having championed the Pryde of the X-Men pilot in 1989, she was quick to set up an gild for 13 episodes of X-Men. [4] Saban Amusement was contracted to produce the show and hired a small studio Graz Entertainment to produce the episodes as it did not have sufficient staff at the time to handle product in house. Graz employed the creative staff, wrote and designed each episode, and drew the storyboards. The phonation work was done using Canadian studios and Southward Korean studio AKOM was hired to animate the episodes. X-Men was originally to premiere over the Labor 24-hour interval weekend in September; due to production delays, information technology was pushed to the end of October. When the animation team AKOM turned in the showtime episode, information technology contained hundreds of animation errors, which AKOM refused to ready. Because of time constraints, the episode was aired in an unfinished grade. [4] The 2nd episode was turned in just before a borderline, with 50 scenes missing and simply a unmarried day reserved for editing. [4] The "Nighttime of the Sentinels" two-part episode originally aired as a "sneak preview" on Oct 31. [10]

Because of the production delays and animation errors in these two episodes, Fox threatened to sever AKOM'south contracts. [4] When Fox re-aired the pilot in early 1993, the errors were corrected. [eleven] The series earned top ratings throughout its commencement season, [4] and was renewed for a second season of 13 episodes. Throughout the serial run, producers had to bargain with quality control issues including attempts to cutting costs, requests to change the tone of the series to something more child-friendly every bit well to integrate toys beingness sold into the testify. [3]

The show was originally planned to run for 65 episodes. Given its success and Marvel's bankruptcy, Saban funded the additional eleven episodes at a much reduced budget. [12] Philippine Animation Studio Inc. and Hong Ying Animation also contributed some of the animation for this serial.

Synopsis [ edit ]

The testify features X-Men similar in look and line-up to the early 1990s X-Men drawn past Jim Lee (specifically, the Bluish Squad established in the early problems of X-Men (vol. 2) ), composed of Cyclops, Wolverine, Rogue, Storm, Beast, Gambit, Jubilee, Jean Grey, Professor X, besides every bit an original character, Morph (an accommodation of previous X-Men member Changeling).[ citation needed ]

The serial deals with social issues, including divorce ("Proteus"), Christianity ("Nightcrawler" and "Bloodlines"), the Holocaust ("Enter Magneto", "Deadly Reunions", "Days of Time to come Past" and "The Phalanx Covenant") and AIDS hysteria ("Time Fugitives"), and feelings of loneliness ("No Mutant Is an Island"). Television was satirized in the episodes "Mojovision" and "Longshot".

X-Men crossed over with the animated series Spider-Man , when Spider-Homo seeks out the Ten-Men'southward help to stave off his progressing mutation. In the abbreviated form of the Clandestine Wars storyline, the Beyonder and Madame Web selected Spider-Man to lead a team of heroes including Storm against a group of villains. An earlier typhoon of "Secret Wars" involved all of the X-Men, but transporting the vocalization cast from Canada to Los Angeles, where production for the Spider-Man animated series was based, had been too plush in previous crossovers, so the episode was re-written to include only Tempest, whose actress, Iona Morris, lived in Los Angeles. Hulk and She-Hulk were excluded from the episodes because[ citation needed ] the Incredible Blob animated serial featuring the characters was airing on rival network UPN. [13]

The first flavour of the bear witness brought the X-Men into conflict with human conspirators building mutant-exterminating Lookout robots, Magneto and his attempts to instigate a human-mutant war, and the powerful mutant Apocalypse's plans to eradicate the weak, both homo and mutant alike. Other storylines including X-Men member Morph's death at the hands of Sentinels, Beast'southward incarceration, and an assassination attempt on US senator Kelly by Apocalypse's minions to plow human sentiment confronting the mutants.

The 2nd season sees Cyclops and Jean get married and become the targets of Mister Sinister, who hopes to use the genetically perfect combination of their Deoxyribonucleic acid to create an regular army of obedient mutants. Morph returns, having been rescued by Sinister and brainwashed into forcing the X-Men apart. The season also features the growing rift between humans and mutants, spearheaded by the Friends of Humanity, an anti-mutant group who atomic number 82 the persecution of all mutants. Apocalypse also returns, developing a mortiferous plague to be blamed on mutants, fueling mutant hatred. A parallel narrative of Professor X and Magneto being lost in the Savage Land runs throughout this season.

The third season focuses on the cosmic force, the Phoenix, which merges with Jean Grey and eventually turns her into the malevolent and powerful Dark Phoenix. The season also introduced the Shi'ar Empire who desire to stop the Nighttime Phoenix, including Lilandra and Gladiator. Other storylines include the introduction of Wolverine'due south sometime lover turned mercenary, Lady Deathstrike, former 10-Men fellow member Iceman, and the villainous Shadow King.

Adaptations [ edit ]

Although the bulk of the series' stories are original, a number of storylines and events from the comics are loosely adapted in the serial, such equally:

Season 1 [ edit ]

  • The two-part Pilot episode "Nighttime of the Sentinels" features "The Mutant Registration Deed" which was commencement used in "Days of Futurity By" from Uncanny Ten-Men #141 (January, 1981) by writer Chris Claremont and writer/creative person John Byrne. Also the battle at the shopping mall is adapted from Jubilee'due south kickoff appearance in the story "Ladies' Nighttime" from Uncanny X-Men #244 (May, 1989) by writer Chris Claremont and creative person Marc Silvestri. In that story, Jubilee is attacked by the Grand-Squad and is rescued past female person X-Men and the terminal sequence wherein Jubilee arrives at the X-Mansion is based on a similar sequence when Kitty Pryde starting time arrived at the 10-Mansion following the funeral for Phoenix in "Elegy" from X-Men #138 (October, 1980) by writer Chris Claremont and writer/artist John Byrne.
  • The episode, "Enter Magneto", features a confrontation at a missile base of operations: this is largely based on the Ten-Men's beginning boxing with Magneto, as told in their 1963 debut story "X-Men" from X-Men #1 (September, 1963) by writer Stan Lee and creative person Jack Kirby.
  • "Captive Hearts" is loosely based on events depicted in "Catacombs" and "Dancin' in the Dark" from Uncanny 10-Men #169-170 (May–June, 1983) by author Chris Claremont and artist Paul Smith, except that the X-Man kidnapped past The Morlocks in those stories was Angel, rather than Cyclops.
  • In the episode "Slave Island", Genosha's treatment of mutants equally slave labour is adapted from "Welcome to Genosha"/"Busting Loose"/"Who's Human?"/"Gonna be a Revolution" from Uncanny X-Men #235-#238 (October–Nov, 1989) past writer Chris Claremont and artists Rick Leonardi and Marc Silvestri. All the same, the premise of how the Genoshan'due south enslaved mutants is greatly retooled, likely to be more advisable for children's television.
  • In the episode "The Unstoppable Juggernaut", The Juggernaut's origins is adjusted from the story "The Origin of Professor Ten!" from 10-Men #12 (July, 1965) past Writer Stan Lee and artists Jack Kirby and Alex Toth. As well, the Ten-Men clashing with Juggernaut at the depository financial institution is adapted loosely from the story "Juggernaut's Back in Town" from Uncanny X-Men #194 by writer Chris Claremont and creative person John Romita Jr., particularly the portions where the X-Men are staking out the bank before the Juggernaut attacks and the origin of Colossus is adapted from Mortiferous Genesis! in Behemothic-Size X-Men #one (May, 1975) past Writer Len Wein and artist Dave Cockrum.
  • "The Cure" features a flashback to Rogue'due south origins detailing her buss with Cody Robbins, which is adapted from "Public Enemy" from Uncanny 10-Men #185 (September, 1984) past writer Chris Claremont and creative person John Romita Jr.
  • Apocalypse'due south creation of his Four Horsemen in "Come the Apocalypse" is very loosely adapted from Issues #ten "Falling Affections!", #12 "Boom Boom Boom!", #15 "Whose Death is it, Anyway?", #nineteen "All Together At present!" and #24 "Masks" from 10-Factor by writer Louise Simonson artists Walter Simonson and Marc Silvestri.
  • The first role of the 2-part episode story "Days of Future By" is loosely based on Ten-Men #141 (January, 1981) past writer Chris Claremont and author/artist John Byrne, the outset part of the "Days of Future Past" story arc. The entire story was retooled to fit the continuity established in the animated series, however some original elements remained such every bit Wolverine leading a resistance against the Sentinels. However Bishop'due south part as a tracker of Mutant rebels is reminiscent of Rachel Summertime's role equally a Hound, likely adapted from Uncanny X-Men #189. Similarly, Bishop's expose of the Sentinels and travel back in time is adapted from Kate Pryde'southward like stunt in 10-Men' #141 (January, 1981) by Chris Claremont and writer/artist John Byrne. Nimrod'south appearance and battle with the X-Men is likely adapted from "Raiders of the Lost Temple!" in Uncanny Ten-Men #191 (March, 1985) and 194 (June, 1985) past writer Chris Claremont and artist John Romita Jr. Also, Bishops' exclamation that Gambit betrayed the Ten-Men is adjusted from "Bishop to King'due south Five!" from Uncanny X-Men #287 (Apr, 1992) past writers Jim Lee, Scott Lobdell and artist John Romita Jr., wherein Bishop's futurity the 10-Men were apparently killed by i of their own, and as Gambit was the merely survivor Bishop long suspected him of betraying the 10-Men.
  • The second part of "Days of Future By" is adapted from "Heed Out of Time" from Uncanny 10-Men #142 (Feb, 1981) past Chris Claremont and author/artist John Byrne, wherein the X-Men prevent the Brotherhood of Evil Mutants from assassinating Senator Robert Edward Kelly. The story was altered to fit the continuity of the blithe serial, wherein Bishop takes the place of Kate Pryde, however it deviates from the original story when Magneto abducts Kelly.
  • The unabridged Sentinel plot from the episode "The Final Conclusion", including Main Mold forcing Trask to do his bidding is adapted from "Amidst Us Stalk... the Sentinels"/"Prisoners of the Mysterious Chief Mold!"/"The Supreme Sacrifice!" from X-Men #fourteen-16 (November, 1965–January, 1966) by writer Stan Lee and artists Jack Kirby & Jay Gavin. Whilst Scott's marriage proposal to Jean and Mister Sinister's interest, which is explored fully in Flavour 2, is very loosely adapted on "Inferno, Part the Quaternary: Ashes!" from Uncanny Ten-Men #243 (April, 1989) past writer Chris Claremont and artist Marc Silvestri, amongst other issues where Sinister manipulated Scott's union to Madelyne Pryor for his ain twisted ends.

Season ii [ edit ]

  • The episode "Whatever It Takes" features a flashback depicting Mjnari'due south birth is based on the story "Life-Death II: From the Heart of Darkness" from Uncanny X-Men #198 (Oct, 1985) by writer Chris Claremont and artist Barry Windsor-Smith. In that story, Tempest discovered Shani's tribe after losing her mutant powers, and resuscitated Shani'due south (unnamed) son as in this episode. The story also featured a tribal elderberry named MjNari, who chose to die when Shani's son was born, then that the tribe would not become likewise numerous for its resources.
  • The episode "Repo Human" is based on "Shoot-Out at the Stampede!" from Uncanny Ten-Men #121 (May, 1979) past writer Chris Claremont, Writer/artist John Byrne and artist Terry Austin. The episode is as well based on the "Weapon X" story from Marvel Comics Presents #72-84 (March–September 1991) by writer/creative person Barry Windsor-Smith.
  • The episode "10-Ternally Yours" is based upon the "Gambit" four upshot mini-series featuring "Tithing"/"Award Among Thieves"/"The Benefactress"/"Thief of Time" (which was published literally around the same fourth dimension that episode beginning aired) (December, 1993–March, 1994) past Writer Howard Mackie, artists Lee Weeks and Klaus Janson. Though in the comics Gambit's brother is named Henri instead of Bobby.
  • In "Fourth dimension Fugitives (parts 1 & 2)" features a variation of the "Legacy Virus" story line where information technology was the creation of Apocalypse, who had created the virus with the aid of Graydon Creed and the Friends of Humanity, infecting innocent people and claiming that mutants were the ones who had caused the plague. In an try to cease the plague, Bishop came back from the future to destroy Apocalypse'due south work before the virus could movement on to mutants, but as a event vital antibodies that would allow the mutant race to survive future plagues were never created. Traveling back from even further in the future, Cable was able to come up with a compromise that allowed both Bishop's and his own missions to succeed; although the plague never made the leap to mutants on a large-scale ground, Cable nevertheless ensured that Wolverine would be infected, thus creating the necessary antibodies while not killing any mutants thanks to Wolverine'due south healing gene.
  • Parts of the episode "A Rogue'southward Tale" are based on "Rogue Redux" in Uncanny X-Men #269 (October, 1990) by writer Chris Claremont and artists Jim Lee and Art Thibe. Whilst other parts of the episode are based on "By Friends – Betrayed!" in Avengers Annual #ten (August, 1981) by author Chris Claremont and artists Michael Golden and Armando Gil.

Flavor 3 [ edit ]

  • "The Phoenix Saga (Part 1): Sacrifice" is loosely based on "My Brother, My Enemy!" from Uncanny X-Men #97 (February, 1976) by author Chris Claremont and artists Dave Cockrum & Sam Grainger. The story is too based on "Deathstar, Ascent!"/"Greater Love Hath No Ten-Man..." from Uncanny 10-Men #99-100 (June/August 1976) and "Phoenix Unleashed!" from Uncanny X-Men #105 (June, 1977) all by writer Chris Claremont and creative person Dave Cockrum.
  • "The Phoenix Saga (Role ii): The Night Shroud" is loosely based on "Like a Phoenix, from the Ashes" from Uncanny X-Men #101 (October, 1976) past writer Chris Claremont and artist Dave Cockrum. As well as "Dark Shroud of the Past!" from Uncanny X-Men #106 (Baronial, 1977) by writers Chris Claremont & Bill Mantlo and artist Dave Cockrum & William Robert Brown.
  • "The Phoenix Saga (Office 3): The Weep of the Banshee" is loosely based on "Who Volition Stop the Juggernaut?"/"The Fall of the Tower"/"The Admirer's Proper name is Magneto" from Uncanny X-Men #102-104 (December, 1976-April, 1977) by writer Chris Claremont and artists Dave Cockrum & Sam Grainger.
  • "The Phoenix Saga (Part 4): The Starjammers" is loosely based on "Where No X-Man Has Gone Before!" from Uncanny Ten-Men #107 (October, 1977) by writer Chris Claremont and artists Dave Cockrum and Dan Greenish.
  • "The Phoenix Saga (Office 5): Child of Lite" is loosely based on "Armageddon Now" from Uncanny X-Men #108 (December, 1977) past Author Chris Claremont and artists John Byrne & Terry Austin.
  • "The Dark Phoenix Saga (Office 1): Dazzled" is both based heavily and loosely on different areas, of the storylines "Dazzler"/"Run for Your Life!"/ "And Hellfire is Their Proper noun!" from Uncanny 10-Men #130-132 (February–Apr, 1980) written past Chris Claremont & John Byrne, with fine art by John Byrne & Terry Austin.
  • "The Nighttime Phoenix Saga (Part two): The Inner Circumvolve" is based on "Wolverine: Alone!" in Uncanny Ten-Men #133 (May, 1980) & "As well Late, the Heroes!" in #134 Uncanny 10-Men (June, 1980). The boxing with the Inner Circumvolve follows the original comics very closely, with Beast taking the function of Nightcrawler (when juggling Shaw), and Rogue taking the office of Colossus (violent the arm off Pierce). The comic was created by writers Chris Claremont & John Byrne, with art past John Byrne & Terry Austin.
  • "The Dark Phoenix Saga (Part three): The Dark Phoenix" is based on "Dark Phoenix" from Uncanny Ten-Men #135 (July, 1980) and "Kid of Lite and Darkness!" in Uncanny 10-Men #136 (August, 1980) by writers Chris Claremont & John Byrne, with art by John Byrne & Terry Austin.
  • "The Night Phoenix Saga (Office iv): The Fate of the Phoenix" is based on the comic of the aforementioned name ("The Fate of the Phoenix!") from Uncanny Ten-Men #137 (September, 1980) by writers Chris Claremont & John Byrne, with fine art past John Byrne & Terry Austin.
  • The episode "Orphan's End" is based on "Reunion" in Uncanny X-Men #154 and "Get-go Blood" in Uncanny 10-Men #155 by writer Chris Claremont and creative person Dave Cockrum.

Season 4 [ edit ]

  • The "I Man's Worth" two-parter is an original story, greenlit and designed for the Telly serial in January, 1994. In a reversal of the usual book-to-TV origin, this story became the basis and inspiration for the crossover serial of books Age of Apocalypse , which was published in 1995–96. Many graphic symbol designs in the Age of Apocalypse, virtually prominently that of the alternate Forge, were first created for the TV series. Considering of the length of time it takes to animate an ambitious episode (sometimes a total year), these two creations are oft placed in the incorrect lodge. Bob Harras, supervisor of the X-books in the mid-90s and advisor to the Tv set serial, had admission to the total "I Human being's Worth" story and designs past early May, 1994. The Historic period of Apocalypse books followed viii months afterward.
  • "Sanctuary (Part one)" is loosely based on "Rubicon" from 10-Men (Vol 2) #ane (October, 1991) and "Firestorm" from X-Men (Vol 2) #2 (November, 1991) from the X-Men: Legacy series and the "Fatal Attractions" crossover storyline. The comic book story was written by writer Chris Claremont and writer/artist Jim Lee with creative person Scott Williams.
  • "Sanctuary (Part ii)" is loosely based on "Fallout!" from 10-Men (Vol ii) #3 (December, 1991) from the Ten-Men: Legacy serial and the "Fatal Attractions" crossover storyline. The comic book story was written past Chris Claremont and writer/artist Jim Lee with art by Scott Williams.
  • The episode "Weapon X, Lies, & Videotape" is loosely based on the story-lines "The Shiva Scenario Office i: Dreams of Gore, Phase 1"/"Shiva Scenario Role 2: Dreams of Gore: Phase Two"/"The Shiva Scenario Function 3: Dreams of Gore: Phase three" from Wolverine #48–l (November, 1992-January 1993) which were all written by Larry Hama with art by Marc Silvestri. At that place was also a flake of the story-lines "Nightmare Quest!"/"Reunion!"/"Bastions of Glory!"/"What Goes Around..." from issues #61-64 (September–December 1992) thrown in, (though the robot Talos is called "Shiva" there, and the Weapon X projection has more members) these issues were written by Larry Hama with art by Marker Texeira.

Flavor v [ edit ]

  • The two-part final flavour opener "Phalanx Covenant" was adapted from the comic of the same name (September–October 1994) with Beast as the key character. The Phalanx were conceived to exist fully alien and not mutant hating humans who were infected with the engineering science, becoming more similar the Technarchy, with Cameron Hodge working forth with them serving much the same role as in the comics. During the ii-parter, Beast teams up with Warlock, Forge (part of X-Cistron), Mr Sinister, Amelia Voght (who was working on Muir Island at the fourth dimension) and Magneto.
  • The episode "Jubilee's Fairytale Theater" is based on "Kitty's Fairy Tale" from Uncanny X-Men #153 (Jan, 1982) by writer Chris Claremont and artist Dave Cockrum. The comic featured Kitty Pryde telling a fairytale to Illyana Rasputina, whilst the series replaced Kitty Pryde with Jubilee and Illyana Rasputina with random school children.
  • The episode "One-time Soldiers" is loosely based on "Madripoor Knights" from Uncanny 10-Men #268 (September, 1990) by writer Chris Claremont and artists Jim Lee & Scott Williams. It tells the tale of Logan, while acting as a special operative for Canada, teaming up with Captain America and the Howling Commandos during Globe War Ii to rescue someone who had been captured by Cherry-red Skull. Logan would use detachable metal claws to scale the side of a mount and and so comment how he liked them.

Voice cast [ edit ]

The series' voice acting was recorded in Toronto studios, with Dan Hennessey serving as voice director. Toronto vocalisation actors had been already used for the 1960s Marvel Comics cartoons.

Principal cast [ edit ]

  • Dr. Henry Phillip "Hank" McCoy / Animate being (George Buza): His mutation covers his trunk in fur and morphs his trunk, granting him superhuman strength and agility to complement his genius mind. He spends most of the first season imprisoned for destroying the government'southward records of registered mutants, which was being abused by Henry Gyrich and Bolivar Trask. Buza would later appear in a small role in the 2000 live activeness moving picture, playing a truck driver at the start of the film. [3]
  • Jubilation Lee / Jubilee (Alyson Court): The newest and youngest member of the X-Men, she is close to Wolverine. Jubilee sees Gambit similar to a father figure. She is yet getting used to her powers, which are the power to generate firework-like explosions. Court and Dodd had been neighbors when Court was still a child and Dodd was already a well-known actor in Canada. Court attributes their characters' chemistry to being previously acquainted with one another. Originally another vocalisation actor had been cast as Jubilee, but Courtroom was cast when the original vocalisation was deemed also sweet and innocent sounding for the role. [3]
  • Jean Elaine Grey / Phoenix (Catherine Disher): A telekinetic and telepath. She is in a longstanding relationship with Cyclops, and they marry at the end of the fourth season, when she is captured by Apocalypse in the time space continuum. Disher had originally auditioned for the part of Storm. [3]
  • James "Logan" Hawlett / Wolverine (Cal Dodd): A hot headed mutant with a regenerative healing cistron, heightened senses, an adamantium-laced skeleton that render his basic virtually indestructible, and retractable claws capable of cutting well-nigh anything. He was attracted to Jean Grey, merely decided not to come against Scott Summers.
  • Eric Magnus Lensherr / Magneto (David Hemblen): Has the power to control metal. While he is initially introduced as an antagonist, he becomes more of an anti-hero in later seasons, helping them defeat other villains including Master Mold, Mister Sinister, Apocalypse, and Phalanx.
  • Ororo Munroe / Storm (Iona Morris (1992–1993), Alison Sealy-Smith (1993–1997)): She is able to control the weather, using it to hurt her foes or fly and is tertiary in command of the X-Men. Tempest has to remain in abiding command of her emotions, every bit they are linked to her powers; if she let loose, she would call horrific atmospheric condition weather condition that would put lives in jeopardy.
  • Remy Etienne LeBeau / Gambit (Chris Potter (1992–1996), Tony Daniels (1997)): He can accuse almost any object with explosive free energy, turning them into bombs; they merely explode once he lets go of the object. He also wields a staff for shut combat, and for when he's out of playing cards to throw. Potter was cast while filming Kung Fu: The Legend Continues in Toronto; unfamiliar with the X-Men, his co-star David Carradine was a large fan of the comics. Potter later auditioned for the office of Cyclops in the 2000 moving-picture show. [three] Gambit is in a romantic human relationship with Rogue, and is a father figure for Jubilee.
  • Prof. Charles Francis Xavier / Professor X (Cedric Smith): The founder and leader of the 10-Men and a powerful telepath. Throughout the series, he fights for mutant rights while educational activity his students the importance of never giving into temptation or lose sight of what really matters.
  • Scott Summers / Cyclops (Norm Spencer): The field commander of the X-Men who'south optics tin emit a powerful burst of energy that tin cause devastating damage. Generally stiff, he has expressed doubts to his own leadership from time to fourth dimension. He oftentimes fights with Logan over his girlfriend, Jean Grayness, whom he somewhen marries towards the end of the series.
  • Anna Marie / Rogue (Lenore Zann): She possesses the uncontrollable ability to absorb the memories, powers and free energy of those she touches; however, if Rogue holds onto someone besides long, their consciousness will be trapped in her hidden. She has permanently absorbed the superhuman strength, immovability and flight of Carol Danvers / Ms. Marvel who was left comatose due to this. She is in a romantic relationship with Gambit.

Additional cast [ edit ]

Other versions [ edit ]

The original opening sequence features the Ten-Men demonstrating their mutant abilities to a now very distinctive instrumental theme (written by Ron Wasserman). This intro is used throughout the first iv seasons. A modified version is eventually introduced in flavor 5, episode one ("Phalanx Covenant, Part One"). In this new intro, the beginning of the theme is slightly inverse. When UPN began airing repeats on Dominicus mornings, an alternate credits sequence was used: a loftier-quality Japanese-animated version of the original opening. This modified version occasionally appears in the digital streaming release of the show, which was used for re-runs on Toon Disney.[ citation needed ]

Ten-Men originally aired on Television receiver Tokyo from 1994 through 1995. For the Telly Tokyo dub of the series, the intro was replaced with a new, Japanese-animated sequence too as a new theme called "Rising" (ライジング), by the band Ambience (アンビエンス). Starting with episode 42, a 2d new intro was used, featuring the song "Dakishimetai Cartel Yori Mo" (抱きしめたい誰よりも...). The end credits sequence was as well inverse: information technology featured shots of American Ten-Men comic books set to the vocal "Back to You" (バック･トウ･ユー), also by Ambience.

The TV Tokyo dub was directed by Yoshikazu Iwanami and featured scripts rewritten to include a more humorous, self-satirical tone likewise every bit an accent on comical adlibbing (a hallmark of Iwanami's dubbing mode). Episodes were edited for fourth dimension so that new segments could be added to the end which promoted the X-Men: Children of the Cantlet video game from Capcom. The dub actors would pretend to play the game as their characters and make humorous asides and remarks. Ten-Men was dubbed a second time in the early 2000s for broadcast on Toon Disney (Nippon). This dub was more faithful to the original English scripts and episodes were not cut for time. The Toon Disney version used the original American intro and end credits rather than the unique ones created for the Television Tokyo version.

2 versions of the episode "No Mutant is an Island" exist with completely different blitheness. The first version was aired for Toon Disney re-runs and can exist seen in digital streaming services such every bit Amazon Video, aired on Pull a fast one on Kids in the Usa, and uses the remixed intro theme from Season 5. The second version is available on region 1 DVD, aired on Trick Kids overseas, and uses the default intro theme from Seasons ane–4. [14] [ citation needed ]

Reception [ edit ]

The show was both acclaimed and commercially successful. Forth with Batman: The Animated Serial , the serial success helped launch numerous comic book shows in the 1990s.

In its prime, X-Men garnered very high ratings for a Saturday morning time cartoon, and like Batman: The Animated Series, it received broad critical praise for its portrayal of many different storylines from the comics. Haim Saban credits the success of the series in assisting him to sell his next project to Fox, the live action series, Mighty Morphin Power Rangers . [iii]

X-Men reached a viewership of over 23 million households. [15]

The prove has been hailed as a pioneer in crafting mature, serialized storylines for an blithe serial, likewise as paving the way for the 2000 X-Men feature moving-picture show. [iii] In 2009, IGN ranked X-Men as the 13th greatest animated bear witness of all time in their Pinnacle 100 list. [xvi]

Legacy [ edit ]

Revival [ edit ]

By 2022, there were talks ongoing with Disney+ to revive the series. [17] In November 2022, information technology was announced that a revival titled X-Men '97 will premiere on the service in 2023, which will continue the plot of the original series. [18] Beau DeMayo will serve as head author, with about of the surviving bandage members of the original series reprising their roles, including Dodd, Zann, Buza, Disher, Potter, Sealy-Smith, Hough, and Britton. They volition be joined past Jennifer Hale, Anniwaa Buachie, Ray Chase, Matthew Waterson, JP Karliak, Holly Chou, Jeff Bennett, and A.J. Locascio; Court volition non be reprising her role equally Jubilee, but will instead voice another graphic symbol as she asked for Jubilee to exist voiced by an Asian actress. [19] The serial will be produced by Curiosity Studios. [20]

Comics [ edit ]

10-Men Adventures [ edit ]

X-Men Adventures
X-men-adventures-1.jpg

Ten-Men Adventures vol. ane #1 (Nov 1992).
Art by Steve Lightle.
Publication information
Publisher Marvel Comics
Schedule Monthly
Format Ongoing
Publication date November 1992–March 1997
No. of issues 53
Main character(s) X-Men

X-Men Adventures was a comic book spin-off of the animated series. Beginning in Nov 1992, information technology adjusted the kickoff three seasons of the show; in April 1996, it became Adventures of the X-Men , which independent original stories prepare within the same continuity. [21] The comic volume lasted until March 1997, presently after the testify's cancellation by the Pull a fast one on Network.

Volume 5 of the Official Handbook of the Marvel Universe A-Z Hardcovers lists the X-Men cartoon as part of the Marvel multiverse, inhabiting Earth-92131. Also, the plague-infested hereafter that Bishop tried to preclude in Flavor 2 is listed as Earth-13393 while Cablevision's release of the immediate cure of the plague is listed as World-121893.

Bibliography:

  • Ten-Men Adventures vol. 1 (1992–94) (xv bug) [22]
  • X-Men Adventures vol. two (1994–95) (thirteen issues) [23]
  • X-Men Adventures vol. 3 (1995–96) (13 issues) [24]
  • Adventures of the X-Men (1996–97) (12 issues) [25]

X-Men '92 [ edit ]

The comic book series X-Men '92 , i of the many necktie-in titles for Curiosity's 2015 Hush-hush Wars event and later was released in its second volume equally a continuous series in early 2016, starring members of the TV testify'due south reality. [26]

In January 2022 Curiosity announced a new series inspired past the cartoon, X-Men '92: House of XCII . Scheduled for publication in April of that same year, the series will explore an alternating universe where the events of Jonathan Hickman'south House of 10 and Powers of 10 happened decades earlier, in the '90s of the original show. [27]

Books [ edit ]

Previously on 10-Men [ edit ]

In 2017, series developer and showrunner Eric Lewald released the book Previously on X-Men: The Making of an Blithe Serial, which features his interviews with 36 of the staff and vocalization cast behind the Television set series, besides equally Lewald'south personal experiences on the series' evolution and production. [28]

X-Men: The Fine art and Making of The Blithe Series [ edit ]

In 2022, Eric Lewald and Julia Lewald released the book Ten-Men: The Fine art and Making of The Animated Series, which features previously unseen concept art, storyboards, grapheme models, groundwork layouts, blitheness cels, and other production/promotional materials, along with new interviews with the series principal artists and product staff. [29]

Video games [ edit ]

  • X-Men Cartoon Maker: The PC game X-Men Cartoon Maker was a recreational software package that allowed the user to create animations with a minimal level of composure by utilizing a library of backdrops, animations and sound effects from the show. Wolverine and Tempest (voice-only) help you lot out.
  • Capcom's VS. Series: The characters in the series were licensed by Capcom and were the inspiration for the video game X-Men: Children of the Atom , which in turn would be the basis for the Marvel vs. Capcom sub-series of video games.[ citation needed ] Most of the vocalization actors who did the voices in the serial reprised their roles for the video game. [thirty] Capcom would continue to employ these characters long after the show was cancelled before eventually losing the rights to create Marvel-based games to Electronic Arts in 2001. Capcom, however, would reacquire the rights in 2008 and released Marvel vs. Capcom 3: Fate of Two Worlds in 2011.

In pic [ edit ]

The series was credited for being responsible for the beginning development of the 2000 X-Men moving-picture show. The show's broadcasting network (Fox Kids) owner 20th Century Fox was impressed by the success of the Idiot box testify, and producer Lauren Shuler Donner purchased the film rights for them in 1994. [31] [32] The picture's success led to the beginning of a movie franchise which includes a series of sequels, prequels, and spin-offs for two decades upwards to 2022, when the series came to an end due to Disney'south acquisition of Play a joke on, with the graphic symbol rights reverting to Marvel Studios to proceeds command of these characters.

Lawsuit [ edit ]

In 2022, Hungarian immigrant Zoltan Krisko filed a lawsuit against Marvel Entertainment, Haim Saban, Shuki Levy, UMG Recordings, the current distributor of Disney Music Group and Fox Corporation. He claims the song was plagiarized from the theme vocal to the 1984–91 Hungarian action-adventure tv set series Linda , which was composed by Gyorgy Vukan. [33]

References [ edit ]

  1. ^ "Ten-Men (TV Series) (1992)". FilmAffinity.
  2. ^ "X-Men (1992)". Allmovie.
  3. ^ a b c d east f g h i Couch, Aaron; Burton, Byron (October 30, 2017). "'X-Men' at 25: The Unlikely Story of the Animated Hit No Network Wanted". Hollywood Reporter . Retrieved March 29, 2022.
  4. ^ a b c d e f Mangels, Andy (August 1993). "Scorching the Screen". Wizard: X-Men Turn Thirty. pp. seventy–73.
  5. ^ "Top 10 Comic to Boob tube Adaptations". IGN. June 21, 2007. Archived from the original on Jan half-dozen, 2013. Retrieved 2010-08-15 .
  6. ^ Erickson, Hal (2005). Television Cartoon Shows: An Illustrated Encyclopedia, 1949 Through 2003 (2nd ed.). McFarland & Co. pp. 923–926. ISBN 978-1476665993 .
  7. ^ White, Brett (27 November 2022). "Every Single X-Men Blithe Appearance on Disney+, in Gild". Decider . Retrieved 29 November 2022.
  8. ^ "Ten-Men, Spider-Man & More Animated Series Confirmed for Disney+ Launch Mean solar day". Comic Book Resource. fourteen October 2022. Retrieved 29 Nov 2022.
  9. ^ "Kids vet Margaret Loesch to run Hasbro-Discovery cable network". Los Angeles Times. July 16, 2009. Retrieved xi May 2011.
  10. ^ Mangels, Andy (Jan 1993). "Hollywood Heroes". Sorcerer . Sorcerer Amusement (17): 32.
  11. ^ "DRG4's Sectional Ten-Men Cartoon Airplane pilot Differences". drp4.wariocompany.com. Archived from the original on 2008-01-19. Retrieved 2008-01-17 .
  12. ^ Moore, Rose (March 23, 2016). "x Things You lot Didn't Know About X-Men The Animated Serial". Screen Rant . Retrieved September 3, 2022.
  13. ^ Goldman, Michael. "Stan Lee: Comic Guru". Animation World Magazine. Animation World Network . Retrieved March 29, 2022.
  14. ^ "Animation Changes in No Mutant Is An Island". DRG4'due south Marvel Drawing Pages . Retrieved October 13, 2022.
  15. ^ "X-Men: Children of the Atom". RePlay. Vol. 20, no. 3. December 1994. p. 8.
  16. ^ "Top 100 Animated Series: 13. Ten-Men". IGN. Archived from the original on Feb 20, 2009. Retrieved March 29, 2022.
  17. ^ Marshall, Andrew (June 10, 2022). "X-Men: The Animated Series Creators Want to Revive Show With Disney". Screen Rant . Archived from the original on July 11, 2022. Retrieved November 14, 2022.
  18. ^ Couch, Aaron (November 12, 2022). "Disney+ Orders '90s 'X-Men' Revival, 'Marvel Zombies' and 'Spider-Man: Freshman Year'". The Hollywood Reporter . Archived from the original on Nov 12, 2022. Retrieved November 12, 2022.
  19. ^ Patches, Matt (Nov 12, 2022). "New X-Men cartoon set up in the '90s Animated Series continuity coming to Disney Plus". Polygon . Archived from the original on November 12, 2022. Retrieved November 13, 2022.
  20. ^ Gartenberg, Chaim (Nov 12, 2022). "Marvel embraces the Sad Wolverine meme to announce 10-Men '97, a new animated Disney Plus bear witness". The Verge . Archived from the original on November 12, 2022. Retrieved November xiii, 2022.
  21. ^ "The 1990s: Claremont's go out, mega-crossovers". Archived from the original on 2007-10-08. Retrieved 2007-01-26 .
  22. ^ "X-Men Adventures Comics checklist Volume i". comics-db.com. Archived from the original on 2013-01-19. Retrieved 2007-02-13 .
  23. ^ "X-Men Adventures Comics checklist Volume two". comics-db.com. Archived from the original on 2013-01-19. Retrieved 2007-02-13 .
  24. ^ "10-Men Adventures Comics checklist Volume 3". comics-db.com. Archived from the original on 2013-01-19. Retrieved 2007-02-13 .
  25. ^ "Adventures of the X-Men Comics checklist". comics-db.com. Archived from the original on 2013-01-twenty. Retrieved 2007-02-13 .
  26. ^ Jesse Schedeen (xiii March 2015). "X-Men: The Blithe Series Lives On in X-Men '92". IGN.
  27. ^ Jeremy Blum (14 January 2022). "X-Men: The Animated Series Meets Firm of Ten in New Marvel Series" . Retrieved 21 January 2022.
  28. ^ "Previously on X-Men: The Making of an Blithe Series". Jacobs Brown Media Group. Retrieved December 14, 2022.
  29. ^ Lewald 2022
  30. ^ "Hot at the Arcades". GamePro . No. 67. IDG. February 1995. p. 20.
  31. ^ Lee, Stan; Claremont, Chris; Singer, Bryan; Lauren Shuler Donner; Tom DeSanto; Avi Arad (2000). The Underground Origin of The Ten-Men (DVD). 20th Century Fox.
  32. ^ Jensen, Jeff (July 21, 2000). "Generating Ten". Amusement Weekly . Retrieved Baronial 9, 2008.
  33. ^ Erik Pedersen (2022-ten-09). "'Ten-Men' Cartoon Theme Vocal Sparks Lawsuit Against Marvel, Disney, Amazon, Apple". Deadline Hollywood. Retrieved 2022-10-18 .

Notes [ edit ]

  1. ^ Sources differ regarding the country or countries of origin of X-Men (TV series). Some bespeak that the U.s.a. is the sole country of origin, while others (due east.g, FilmAffinity, Allmovie) listing it as a co-production of the United States and Canada. [i] [2]

Sources [ edit ]

External links [ edit ]

How Many Awards Did X Men Animated Series Win

Source: https://en.wikipedia.org/wiki/X-Men_(TV_series)

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